Unchosen By My CEO Husband (Make Them Grovel #1)

Unchosen By My CEO Husband (Make Them Grovel #1)

By Lauren Lexington

Chapter One

Jacinta

My husband left a note on his pillow this morning.

That isn’t the strange part. He always leaves notes. Ten years of them, folded in my dresser drawer. A whole paper marriage I can hold in one hand.

The strange part is the last line.

Breakfast with the Vale group. Home by seven. Love you.

The Vale group.

I stand there in my bare feet and read it until the words stop being words. Cassandra Vale lives inside that name. The woman my mother-in-law picked out for her son, back when I was still a girl with too many ideas and an ADHD diagnosis I hadn’t learned to outrun.

I’ve never met Cassandra. I’ve just spent ten years being introduced in the same breath. Aaron’s wife, Jacinta. And did you know, he almost married Cassandra Vale.

Almost.

My whole marriage lives in that word.

The seven o’clock alarm says WOMAN, in all caps, because past me knows exactly how future me negotiates. Today I beat it downstairs for once.

Downstairs, the launch pad is doing its job.

Three labeled bins by the door. Willa’s purple backpack in hers.

Theo’s sneakers paired up and pointing at the door like they plan to walk themselves to school.

The whiteboard calendar runs this house in four colors.

Everybody teases me about it. Still, nobody has missed a dentist appointment since 2019.

Friday gets a red star on that calendar. The gala. The Colt Foundation’s biggest night of the year, and this year it belongs to the Renewal Centre, a recovery and wellness facility three years in the making, from my first sketch on a takeout menu to the final board approval in May.

My design. My project. My name, which Aaron has promised will be said out loud, on a stage, in front of everyone who has spent a decade introducing me as his wife and nothing else.

This is the thing people get wrong about my brain. I’m not careless. I’m careful in advance, constantly, because I know how fast a day can fall apart on me. So I build rails, and the rails make me look effortless, and then people decide I’m effortless. That’s the funniest joke in my marriage.

“Pancakes are burning,” Willa says. She’s eight years old and already the most organized person here.

“They’re caramelizing.”

“That’s not a thing, Mom.”

“It’s absolutely a thing.”

*

Aaron gets home at 6:58. I check the clock. I always check the clock. I hate that I check the clock.

He kisses me at the stove. He smells loosely of hotel coffee and his own cologne. I file that away. Ten years of marriage teaches you the smell of your husband’s day, and tonight his day smells ordinary.

“How was breakfast?” I ask.

“Fine.”

“Fine fine, or weird fine?”

He opens the fridge. Closes it. Opens it again. That’s his tell. He does that when he’s deciding what to tell me, and he always decides eventually, so I stir the sauce and wait.

“The Vales are covering the venue,” he says. “All of it. Catering too. It’s a huge donation.”

“That’s incredible.”

“Mm.”

“So who handled it? For them?”

A pause. Long enough to set down the juice.

“Your mother called today, by the way,” I say. “She wanted to know what color my dress is for Friday.”

“What did you tell her?”

“Red. She made a noise like I’d said I was coming as a flamingo.”

His mouth almost smiles. Then it doesn’t, and that small failure tells me more than the pause did.

“Cassandra,” he says. “Cassandra Vale. She’s back in Chicago. She’s on their events team now.”

He pours two glasses of juice. Mine first. Ten years, and he still pours mine first. I’m going to remember that later, when I need to hate him and can’t quite do it.

“It’s not a thing, Jace,” he says. “It’s a hotel booking.”

“Okay.”

“Okay.”

But he doesn’t look at me when he says it. He looks at the juice, which has suddenly become fascinating.

He isn’t lying. I’ll say that for him no matter what happens next. He doesn’t lie. He just finds the smallest true thing and hides behind it.

Aaron

The knock comes at eleven. I know who it is before I open the door, because my mother texted me this afternoon. Cassandra is in town. Be nice. Like she’s warning me about an incoming storm.

Cassandra stands in my doorway in a silk robe, wearing the smile from every photograph Beatrice keeps in the drawer she thinks I don’t know about.

“This isn’t appropriate,” I say. I keep the door open with my foot.

“You never used to care about appropriate.”

She walks in anyway. Past me. Into my suite like she’s paid for it, and maybe the Vale group has. That’s a thought I don’t want to finish.

“One drink, Aaron. For old times. Your mother told me where to find you.”

“I’m married.”

“To the wrong woman.”

She puts her hand flat on my chest, right over my tie, and steps in close. For a second I’m twenty-six again. The whole world is a country club. Everything has already been decided for me, and all I have to do is stand here.

Then I think about Jacinta labeling leftovers with masking tape and a Sharpie. The drawer of notes she keeps. Three years of site plans on our kitchen table, and how she never once asked anyone to make it easier.

I take her hand off my chest. I step back into the hallway and call security from my cell.

“There’s a guest in my room who needs escorting out. No incident report. Just get her out.”

They come. She smiles the whole way to the elevator, like she got exactly what she came for.

Hell, maybe she did, but she was always like this—always pushing, pushing, pushing.

I stand in that corridor too long. Then I type it out.

Cassandra showed up at my room. I called security. Nothing happened.

I stare at the words and think about the unsigned venue contract in my desk drawer, the gala in ten days, hundreds of guests, and what one phone call from the Vale family could do to everything Jacinta has built.

I delete the message.

I tell myself I’m protecting her.

Jacinta

The week of the gala, the foundation emails me the revised program. Beatrice’s assistant sends it. That’s the first small wrong thing, because for three years, every document about the Renewal Centre has come through me.

Page six. My center. Three years of sensory rooms and site plans and grant applications written in the early hours of the morning when my brain finally cooperates.

A bold new vision in recovery care, proudly presented by the Colt Foundation.

I scroll up. Then down. Then up again, slower.

The hell?

My name isn’t anywhere.

Maybe it’s a draft error. Programs go through a dozen versions. I breathe the way my therapist taught me, four counts in and six counts out, and I tell the alarm voice in my head to be quiet. I’m a grown woman. Mistakes happen. My husband loves me.

Then my phone lights up.

Unknown number.

No text.

Just a photograph.

A hotel corridor. Warm light, gold wallpaper. Aaron in the gray suit, the one I picked out. A woman in a silk robe with her hand flat on his chest. Close. Looking up at him like he’s a door she’s about to walk through.

The timestamp says 11:07 p.m. Tuesday.

The night he told me he was staying in the city for early meetings.

I zoom in.

His cuff links, the ones with the tiny soccer balls that Willa gave him for Father’s Day. Tuesday’s watch. Tuesday’s tie. Every detail checks out, and every one that does closes another door I wanted left open.

I sit down at the kitchen table. I don’t remember choosing to sit. Across the room, the whiteboard calendar holds our whole life in four colors. Everything in its place. The rails I built so nothing could ever derail it.

Someone stood in that corridor and waited for this exact angle. The one that makes a rejection look like a reunion. And someone else took my name off page six, and I don’t believe in coincidence anymore, because I’ve spent my whole marriage as the wife nobody sees.

Well, somebody sees me now.

Clearly enough to aim at me.

Aaron texts at nine.

Running late. Don’t wait up.

I don’t ask him anything. I want to. God, I want to. The question sits in my mouth all evening like a stone, and I practice saying it while I pack the kids’ lunches, and every time I get close, I see the angle of that photograph.

Somebody wants me to ask.

Somebody has planned the asking.

So I don’t.

At midnight I take the note from my pillow and put it in the drawer with ten years of the others. A whole paper marriage. Proof of love, I’ve always called it, on the bad days, when I needed to hold it.

Tonight it doesn’t feel like proof of love.

It feels like evidence.

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