CHAPTER ONE

The Storm Warning

The road narrowed the farther she drove, pavement thinning to packed dirt, the dirt to gravel, the gravel to something that was mostly a rumor of a road.

Piper Lane gripped the wheel and let every pothole rattle up through her wrists, and told herself, for the eleventh time since Dallas, that this was a story worth a rental car's suspension.

It wasn't really about the suspension. She knew that.

She'd known it since the moment Marcus said survivalist recluse and something in her chest had gone taut and hungry, the specific hunger she only ever felt right before a story that mattered more than the assignment sheet admitted.

She hated how much she needed that feeling.

She'd built a whole career chasing it, the way some people chased a drink or a scoreboard — proof, each time, that she'd gotten somewhere fast enough to matter.

That she hadn't been too slow. Not this time.

She adjusted her sunglasses, squinted through a windshield already streaked with the first fat drops, and checked the GPS.

Three miles to Beau Walker's farm, one of the oldest, most remote homesteads in Honey Creek, according to a county map that hadn't been updated since before she was born.

She should have known better than to trust a weatherman named Buzz, who'd sworn on-air that the storms wouldn't hit until tomorrow night.

The sky over her windshield had other plans; it had gone the color of a healing bruise, stacked gray on deeper gray, and it looked like it had been waiting for her specifically.

No, Beau Walker's emails had said. All seven of them. One word, no punctuation, like even a period would have been more engagement than he cared to offer a woman from a Dallas newsroom.

So naturally, she'd driven out here anyway.

She did not, as a rule, take no for an answer from people who mattered to a story — mostly because the one time she had, years ago, no had turned into a silence she never got to fill, and she'd spent every assignment since making sure she never let a closed door stay closed on her again.

"You've officially lost your mind," she informed the empty rental car, and pressed harder on the gas, like speed might out-argue the thought.

Marcus had practically laughed when she'd pitched it: a weekend feature on storm prep in a town nobody outside three counties could find on a map.

Tornadoes and chickens. But Piper had done her homework, and this was exactly the kind of story the networks scooped up the second something went sideways — a flood, a levee, a recluse who turned out to be more than the internet's speculation.

Gold, potentially, if she got there first. Or a wasted tank of gas and a pair of heels she'd never forgive herself for.

There wasn't much room between the two, and she had never once been the type of person who checked the room before walking in.

The GPS chimed, smug. You have arrived.

She slowed to a crawl. No mailbox. No sign. Just a break in the tree line where a rusted gate hung open on one hinge, guarding nothing anyone had bothered to guard in a while, and a muddy track curling off into a field of wildflowers already beaten flat by last night's rain.

No cell signal. No backup crew. No guarantee she wasn't about to trespass her way into a headline of her own — Reporter Missing, Last Seen Ignoring Every Reasonable Warning Sign. She eased the rental through the gate anyway, because turning around had never once been the plan.

The farmhouse rose out of the trees like it had opinions about her being there — weathered wood gone silver-gray, a wraparound porch sagging at the corners, its railing patched with boards that didn't match, in the particular way of a place that had been fixed by hand, more than once, by someone who cared more about function than appearances.

It looked like it had survived more storms than she could count, and like it planned to survive a great many more, largely out of spite.

She parked, climbed out, and sacrificed a shoe to the mud within three steps.

"Fantastic." She wrenched her heel free with a wet, undignified squelch that echoed off absolutely nothing, because there was no one around to hear it.

She was wrong about that.

"You're on private property."

The voice came from somewhere behind and to the left — low, unhurried, close enough that she felt it land in her sternum before she'd fully processed the words. She turned. Went still.

Beau Walker stood a few yards off near a split-rail fence, taller than the vague online description had prepared her for, broader through the shoulders, a battered straw hat throwing a line of shade across eyes sharp enough that she momentarily, humiliatingly, forgot the opening line she'd rehearsed the whole drive out.

His arms were crossed. His jaw had the set of a man doing quiet math on whether she was worth the cost of a full sentence, and coming up short.

She straightened her blazer and kept walking, because retreat had never once gotten her a story, and because some old, stubborn part of her equated turning back with letting someone slip away before she'd found out what they had to say.

"Mr. Walker." She lifted a hand in a wave that felt idiotic the second she'd committed to it.

"Piper Lane. We spoke — well. I emailed.

Seven times, if we're counting, which I suspect you are.

Channel Eight, out of Dallas. I'm doing a feature on storm preparedness in small towns, and I would love ten minutes on your setup here. "

"No."

"No?" She blinked. "I drove three hours."

"Should've stayed home."

Charming.

She forced a smile and stepped closer, careful, this time, of the second shoe. "I know you're not exactly media-friendly, but you're something of a legend around here. Generators, a water tower, your own food stockpile —"

"Still no."

"I can make you look good," she tried. "Smart. Forward-thinking. People admire self-sufficiency."

He snorted, and it wasn't an ugly sound, just a tired one. "People will panic once they figure out how little they've got. They don't need me telling them they're screwed. They need somebody telling them the truth costs something, and most reporters aren't in the business of paying it."

"You're a public interest story. I'm not here to sensationalize anything."

He closed the last of the distance between them, boots sucking at the mud with each step, and stopped a foot away — close enough that she had to tip her chin to hold his eyes, which she suspected he'd calculated.

"The truth, huh. You think you can find that out here in one afternoon?

In a town you don't know, talking to a man you'd already decided was newsworthy before you ever laid eyes on him? "

She opened her mouth. Shut it again. There wasn't a version of the truth that made that not exactly what she'd done.

Gotcha, she thought, and hated — actually hated, a small hot flash of it under her ribs — that he'd landed it clean on the first try.

His eyes moved over her, unhurried: the blazer, the heels sinking slow into the muck, cataloging without heat, like she was a piece of weather he was deciding how much to prepare for.

"You're dressed for air conditioning and pavement.

Not storms and mud. I'd get back in your shiny car before you need rescuing. "

"I don't need rescuing."

"That right?"

"I've covered three hurricanes and a flash flood in Amarillo that took out half a bridge while I was standing on it. I don't need rescuing, Mr. Walker. I need ten minutes."

Something flickered behind his eyes — not quite respect, not yet, but the first small crack in the wall he'd built specifically for people who looked like her. "The bridge story true?"

"Every word."

"Huh." He studied her a beat longer, like that fact had cost her something in the ledger he was keeping. "Still no."

She let out a short laugh, more surprised than amused. "You are unbelievably consistent."

"Learned that the hard way."

The air between them pulled tight enough to hum, and for one unguarded second she wondered what exactly had taught a man to guard a door this carefully — wondered it with more curiosity than the story required, which should have worried her and didn't.

"Look." She dialed her tone back a notch, the one she saved for skittish sources and skittish landlords alike, the one that had gotten her through doors far more locked than this. "Fifteen minutes. No cameras today. A quote or two, maybe a look at your shelter —"

"No."

"Why not?"

"Because you don't care about the story. You care about the angle."

"That's not true."

"You came out here to prove something. To get your piece." His voice dropped, quieter and somehow sharper for it, and this time it wasn't a guess — it landed like he'd read it off her. "You don't give a damn what it actually takes to survive when the world turns ugly on you."

Her jaw tightened. "You don't know anything about me."

"I know enough."

You don't, she wanted to say, and didn't, because the alternative was standing in a stranger's mud explaining her brother to a man who'd told her seven times, in writing, to leave him alone.

Thunder rolled somewhere behind him, low and distant, gentler than the silence he left in its place when he turned and walked back toward the barn without another word.

She stood there, chest heaving, fists clenched at her sides, every cell in her body demanding she march after him and finish the argument on her terms, the way she finished everything.

She didn't. She glared instead at the darkening sky, bruised purple sliding into charcoal, and made her way back to the car, already composing the version of this she'd tell Marcus — difficult subject, promising angle, need one more day — before she'd even reached the driver's door.

Her rear tires had sunk halfway into the ditch beside the drive.

"You have got to be kidding me."

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