Chapter 32 #2
Tim chuckles, a genuinely happy sound, tinged with relief.
“Yeah, she does. She’s the best, Zach. I feel like an idiot saying that, but I mean it.
She stepped right up and was helpful and calm, even when I was freaking out.
I’m really cautiously optimistic about this one.
She knows about everything—my messy history, the fact that I’m still occasionally a wreck. She just... handles it. She’s a gift.”
I smile, a true, easy smile. Tim deserves this, deserves happiness after his own tough breakup a year ago. “I'm glad, man. Honestly. You look happier than I've seen you in ages. It's so good that you chose to open your heart again. I’m rooting for you two.”
“Thanks, man. That means a lot. Now go get the mother on the phone. And text me when you know more. Seriously, try to rest.”
“Will do. You, too.”
I hang up the phone, the warmth from the call fading almost instantly. The quiet victory is replaced by the sheer, cold terror of the task ahead: calling Maya's mother.
I get a text back from Flick within minutes, as if she was waiting for a text from someone. She sends me the number I asked for, and I give her quick explanation about what’s going on with Maya. She promises to let her rest tonight and check with her in the morning.
I stare at the number Flick sent me. Maya’s mother. The artist. The legend. The woman who painted that horrifying, beautiful, invasive portrait of her own daughter’s suffering and then sold it for enough money to change lives.
Maya’s relationship with her mom is a minefield.
They love each other fiercely, but her mother’s constant drive to “fix” or “advocate” for Maya often clashes with Maya’s desperate need for autonomy and normalcy.
She means well, but her presence can feel overwhelming, like a powerful current sucking Maya under, making her feel less like a person and more like a cause.
My heart is doing a frantic, jittery dance against my ribs. I take a deep breath, and then another. I need to be calm. I need to be respectful. But most importantly, I need to be firm.
I open the phone app and dial. It rings three times before a crisp, professional voice answers, the kind of voice that manages galleries and signs major contracts.
“Hello?”
“Hi. This is Zachary. I’m Maya’s… friend. I’m sorry to call so late, but I need to talk to you about Maya.”
Her voice is immediately sharp. “Zachary. Yes, the one who finally picked up when I was calling earlier. Is she all right? Why isn’t she answering my calls?
I told her she needs to be checking in. Is she listening to the doctor this time?
She needs to be taking better care of herself; I always tell her that.
I just saw the sales numbers on The Quiet War—it’s phenomenal, a huge win for advocacy, but she needs to capitalize on this, not sabotage her health with—”
“Stop,” I interrupt, the word coming out louder than I intended, cutting through her momentum.
The silence is instant and complete. I take a breath, moderating my tone, infusing it with cold, factual control.
“Maya is not well. She’s in the hospital right now.
We took her to the ER tonight after she collapsed on the street due to extreme fatigue and severe gastrointestinal distress. ”
The silence on the other end stretches, thick and terrifying. I hear a shaky, audible gasp.
“The hospital? What… what happened? Is it her kidneys again? Did she forget to take her hydroxychloroquine?” Her voice is suddenly stripped of its professional armor, raw with pure, unadulterated maternal terror.
I give her the brief, factual rundown, keeping my emotions locked down.
“She didn’t forget any medicine. She’s going to be okay.
She has a severe case of gastritis brought on by stress and the flare.
They’re giving her IV fluids and starting her on high-dose oral steroids to control the inflammation.
She’ll be there overnight for observation, possibly longer. ”
I press on before she can launch into another round of self-blame or medical advice.
I seize the initiative. “Here’s why I’m calling, and I need you to just listen for a moment, please.
She woke up briefly tonight. She saw the dozens of emails and missed calls—from reporters you gave her contact info to.
She found out about the painting and the media frenzy.
When she saw how public her life had become, she broke down.
She was already so sick, and that news just crushed her, bringing on an emotional state that will only hurt her recovery. ”
I sit up straight on the couch, leaning forward, focusing on the dark window.
Frida lifts her head, sensing the change in my posture.
“I know what you were trying to do. I understand that the painting and the advocacy come from a place of love and a desire to help other patients. I saw the price tag; $150,000 is an incredible, selfless act for research. But what Maya needs right now is a break. An absolute, total break. The last thing she needs when she wakes up tomorrow is a lecture on how she could be doing lupus better, or another article being written about her private health battle. Exposing her more than she already is now. She needs support and distraction, because whether you realize it or not, Maya never gets a break from her lupus.”
I continue, the words carefully chosen to explain Maya’s deepest need.
“When she is feeling well, she works tirelessly to be normal. She teaches, she crafts, she builds a life that has nothing to do with her disease. That’s her only true rest. That’s the only time she gets to feel like just Maya.
That’s why she’s been so reluctant to spend her free time focusing on issues related to lupus.
When you make her illness public without her consent, you rob her of that sanctuary, her ability to escape, even for a few hours.
You take away the one place she can just be herself. ”
The powerful plea hangs in the air. I let it sit there, waiting. I hear only the very faint sound of breathing, punctuated by the soft, late-night hum of the refrigerator. Did I push too hard? Is she furious? Will she hang up?
I’m about to check the phone screen when her voice comes back, a tiny and fragile sound. It is completely devoid of her usual force Maya has described to me.
“Thank you,” she says. Just two words. “Thank you for telling me the truth, Zachary.
I… I thought I was helping her. And I was helping others, which felt important, a way to make sense of the suffering.
But I didn't think about the cost to her day-to-day life, the emotional labor of having your life become a public case study. I never once considered that I was taking away her sense of safety or her right to define herself.”
A knot the size of a fist in my stomach begins to loosen. This is better than I ever could have hoped for. She is hearing me, truly hearing me.
“What can I do?” she asks, the volume returning slightly but the frantic edge gone, replaced by genuine concern.
“The reporters—I can call them. I can put out a statement that Maya is currently unavailable for comment and that all future contact should be directed to me. I can stop the immediate bleeding. I can take the heat off her.”
“That would be a huge help,” I tell her, my own voice now steadier. “That would allow her to heal without the crushing pressure of publicity.”
She pauses again, a longer silence this time, one that feels thoughtful, not angry.
“Zachary, if you think Maya would be open to it, I’d love to come see her.
Maybe tomorrow afternoon, once the steroids kick in a little.
And I promise you, I will make the visit about her, not about lupus.
Not about the painting. I just want to sit with her. I just want to be her mother.”
I’m genuinely floored. This is the exact, stripped-down care Maya craves, devoid of the expectations and the pressure of being an activist or a symbol of chronic illness. This is a mother asking to be a mother, not an advocate.
“I… I think she would be open to that. She says it’s been a long time since you just came to see her.”
“I know,” she says, and I can hear the genuine regret in that simple admission. “I will text you the reporter contact info I have, and the statement I plan to use, before I send it, just so you know what’s going out. And thank you again, Zachary. You are truly looking out for her.”
I thank her, and we hang up. I lower the phone slowly, letting my arm drop to the couch cushion.
It went well. More than well. I stare into the dark living room, completely drained but also energized by the small victory.
I accomplished something actionable for her.
I built a small fence around her sanctuary.
The moment the immediate task is done, my brain decides it’s time to find a new fire. The empty space where the anxiety was contained rushes to fill itself. I feel that familiar, restless urgency. I can’t sit still.
I stand up and pace the living room, stopping only to lean over Frida and pet her silky fur.
What if the gastritis isn't mild? What if the steroids don't work? What if this is the start of an organ complication? I grab my laptop and even though I know I shouldn’t do this, I know it with crystal clarity, my fingers are already typing into the search bar.
Lupus complications gastritis long-term effects.
The results bloom across the screen, a horror show of potential outcomes.
I read about gastrointestinal vasculitis, the risk of perforation, secondary infections due to immunosuppression.
I see words like “life-threatening” and “rare but severe.” My breathing grows shallow.
I’m an idiot. I’m an absolute, self-sabotaging idiot for looking this up.
I know better than to plunge into the abyss of medical journals and patient forums at one a.m. when the woman I love is in the hospital.
This is exactly the kind of counter-productive behavior I tell Maya to avoid.
Knowledge is power, Zachary, but late-night WebMD is just torture.
I slam the laptop shut, the sound echoing loudly in the quiet room.
My heart is pounding again, fueled by fear, cortisol, and too much caffeine from the hospital vending machine.
I have to find a distraction, a task so utterly divorced from human bodies and failing systems that my mind has no choice but to engage with it fully.
I walk into my small dining area, flipping on the overhead light. The harsh light illuminates the towering stack of papers I brought home before the double date that never happened: fifty-two fifth-grade essays on the science topic we covered this week. The subject: The Growth Cycle of Sedum.
Perfect. Sedum is a tiny, hardy succulent, the most boring, most resilient, most utterly non-critical life form imaginable. There are no existential threats here, only five-paragraph essays detailing photosynthesis and plant reproduction.
I pull the stack toward me, grab my red pen, and open the first essay.
Introduction: Sedum, also known as stonecrop, is an amazing plant. I like it because it is small and does not need a lot of water. It grows in my rock garden. I like that it is tough.
I lean into the essay, forcing my mind to focus on the structure and the science.
I have to be looking for effort, correct terminology, and clear organization, not perfection.
These are fifth- grade essays, after all.
This type of assignment will prepare them to move on to middle school next year where the workload is bigger and more demanding.
Paragraph Two: The stem of the sedum is where the babies come from. This is called budding. My sedum had a little pink baby on the side, and I drew it in my science notebook.
I correct a usage error. Budding is a type of reproduction, but the term we used was vegetative propagation. Be precise, young scientist. I scrawl a note in the margin: Great detail on the pink baby!
The minutes bleed into an hour, then another.
The world outside the lighted circle of the dining room ceases to exist. There is only the crisp sound of paper, the smooth glide of the red pen, and the earnest, sometimes hilarious, sometimes completely wrong, explanations of fifty-two ten-year-olds detailing the life of a tiny, water-retaining plant.
The beauty of the task is utter, absolute triviality.
The stakes are zero. A misplaced comma does not lead to an organ flare.
A misunderstanding of cellular respiration does not mean a trip to the emergency room.
My biggest problem right now is convincing Jimmy that writing “The Sedum Story” in narrative form is not appropriate for a scientific report.
I have to focus on the difference between the word “tough” and the concept of “drought-resistance.”
I lose myself completely in their tiny, green worlds.
When I finally look up, my neck stiff, the light seems too bright above me, the darkness in the windows absolute.
I check the clock on my phone: 2:38 a.m. I made it past two a.m. I survived the silence.
I stopped the panic spiral. I made a difficult phone call and accomplished some real-world good.
I also corrected fifty-two essays on small, resilient plants.
I put the pen down. My hands are steady now.
I realize I’m still scared, of course, but the fear is a dull ache, not a jagged tear. It’s manageable. I can breathe.
I get up, stretch, and walk back to the couch, pulling the throw tight around me.
Frida lifts her head, sighs contentedly, and settles back down.
I close my eyes, ready to let the sedum-fueled exhaustion finally take hold.
I was able to throw myself into this activity, and now, finally, I can rest until the next time the phone rings.