Chapter 22 – Ariane – The Weight of Waiting #2

His gaze drops to my bare finger again. He doesn’t touch me. He doesn’t have to. My skin remembers without help.

“What are you going to tell her?” he asks.

“The truth?” I try it on. It doesn’t fit yet. “Or a version that doesn’t end with her fainting gracefully because the world dared to make her sit down.”

“Ariane.” My name in his mouth is a vow and a warning. His hand, at his side, flexes like it’s having its own conversation.

“I know.” I swallow. “I know.”

He takes one step. The corridor shrinks in sympathy. The hum and click and whisper of the hospital fade down to the idea of sound. His shoulder nearly brushes mine. He smells like expensive soap and sleeplessness and something I shouldn’t name.

“You’re shaking,” he says.

“I’m a chihuahua in human clothing,” I tell him. “Very trendy this season.”

The almost-smile shows again. Then it’s gone. “You don’t have to do this alone.”

“I’m not alone,” I repeat. “We just covered this, Finnick.”

I stare at the seam where wall meets floor.

I want to lean into him so badly my teeth hurt. I want to be the girl who doesn’t care who’s watching. I want to be the woman who knows exactly what she’s doing.

“This is wrong,” I whisper, because saying it makes me feel like I’ve paid some toll to the universe.

“Wrong,” he agrees, and it’s almost gentle. “Doesn’t make it less.”

The backs of our hands brush. It’s nothing. It’s everything. Static crackles up my arm like the floor has a secret live wire. His breath hitches. Mine goes missing.

“Ariane.” Mom’s voice slides down the corridor, not loud, but inevitable. I jerk back like I’ve touched a stove. Finn’s jaw tightens; the tendon stands out like he’s about to bite through it.

“I have to…” I start.

He nods once. Permission, dismissal, benediction, I don’t know. Either way, I go.

Back in the waiting room, Mom has her phone tucked under her chin as she reaches for a napkin, and she’s talking in that careful tone she uses when she plans the world, like God’s assistant with editorial control.

When she sees me, she ends the call without goodbye, which for her is a sign of emotional distress.

“Sweetheart.” She lowers her voice, softens her face a fraction. “I know this is difficult, but Richard would want us steady. We can’t let him come out of surgery into chaos.”

“I know.” My voice is steady enough to fool most people. She is not most people. She tips her head the way a hawk does before deciding if the mouse is worth it.

Again, her gaze drops to my hand. The skin where the ring used to be looks lighter, like a ghost circle.

“Is your ring off because you’ve lost weight? I can have my jeweler resize it by tomorrow,” she says, disturbingly calm, and I hear the capital letters in your ring like it’s a character in our family play.

“We broke it off,” I say.

I say it the way you say I took the trash out, like it’s a chore you can cross off a list. The words drop between us like a plate that might or might not shatter.

There is a beat of silence that turns long enough for the clock to chew two clicks off our lives. The mauve cardigan woman glances at us in that browsing way people have when they want to be sure they’re witnessing something worth retelling.

Mom smiles. It is not a kind smile. It’s a strategic one. “Don’t be ridiculous.”

“I’m not.” My mouth is dry again. “I mean… we ended it. Julian and I. It’s over.”

“Because of what?” Her voice drops. “Because of one argument? Because he works too much? Ariane, every man…”

I laugh. It’s not pretty. “You know that’s not it.”

“Ariane.”

“We ended it,” I say again. “It’s not… I’m not marrying him.”

A muscle flutters in her cheek. “You will speak to Julian. You will explain that you were overwrought. You will…”

“I saw some messages, Mom,” I say. My voice is flat now, a knife laid on a table. “I saw what he wrote to someone else. It wasn’t one argument.”

She goes very still. For a moment, I think I see her recalculating. Not my daughter’s heart is broken, but how do we manage the story. The thought makes my stomach tip.

“People make mistakes,” she says finally.

I snort at the word. Mistakes. What, he tripped and fell penis-first into another woman?

Her eyes narrow, a door closing. “And what do you plan to do now? Throw away everything we’ve built? Richard…”

“Richard is in surgery,” I say, and my voice breaks on Richard, which annoys me, but there it is. “We can talk about the seating chart for my ruined life later.”

Color rises under her makeup. Anger looks good on her; it makes her look alive. “You will fix this,” she says, very softly. “For Richard. For this family. We do not hand people knives and ask them to aim.”

“What if they already have one?” I ask. “What if I’m tired of pretending that I’m not bleeding?”

Her jaw sets. She takes one precise breath. “Go wash your face,” she says. “You look… flushed.”

I could punch a wall. I could cry. I could laugh and laugh. Instead, I nod, because that’s the muscle memory. I stand and head toward the restrooms, past Finn, who hasn’t moved from the window. He watches me the way lightning watches the ground.

The restroom is mercifully empty. I splash water on my face and pat it dry with paper towels that disintegrate like promises.

In the mirror, I look like myself, but slightly off, a portrait hung crooked.

I put my fingers against my throat where my pulse jumps.

It feels like I’m late for something I can’t name.

When I come back out, the surgeon is there, mask under his chin, eyes tired but not defeated. Mom and I move at once. Finn steps up on my other side, his sleeve brushing my shoulder. I don’t look at him, but my skin buzzes with awareness of the proximity.

“Family of Richard Warner?” the surgeon asks.

“Yes,” we say, a rough chorus.

“Everything went as planned,” he says, and the floor rights itself under my feet like a plane smoothing after turbulence. “He’s stable. We’ll be monitoring him closely over the next twenty-four hours.”

I sag hard enough that Finn’s hand hovers near my elbow before he thinks better of it. Mom exhales, measured. She slots the correct expression onto her face: relieved, dignified, nothing so vulgar as joy.

“Can we see him?” I ask.

“In a little while,” the surgeon says. “He’s still coming out of anesthesia.”

“Thank you,” I tell him, and I mean it so much I’m surprised I don’t cry. He nods and moves on to the next family knitting and unravelling in the corner.

We drift back to our patch of waiting room like astronauts to a tether. Mom turns to me with glassy eyes. This is the part where love steps forward for her, halting, awkward, astonishing.

“He’s okay,” she says, and for once she’s not performing. She reaches for my hand, squeezes. There’s a beat where we’re just two women scared of the same thing.

A nurse calls out that we can see Richard in ten minutes, two at a time. Just like that, Mom is already straightening, smoothing, preparing herself to be seen. I drag my eyes away from Finn and back to the stage where we live.

“I should…” I gesture vaguely, the international sign for I have to go be a good daughter now.

He dips his chin. “I know.”

“Don’t…” I stop. Don’t what, Ariane? Don’t look at me like that? Don’t let me walk away? Don’t make this easier by being patient? “Don’t disappear.”

Surprise flashes across his face, quick and bright, then gone. “I won’t.”

I fix my eyes on the doorway to the recovery hall and hold very still, like a child playing statue, like if I’m quiet enough the next good thing will come out and see me. My heart does its thud, thud, thud, stubborn and loud as ever.

How am I supposed to sit here and wait for Richard to come back to us, when part of me already knows I’ve crossed a line I can’t uncross?

When every time I promise myself I won’t think of Finn, I think of Finn.

When the person I am with him—messy, furious, alive—feels more honest than any version of me that wears a ring and smiles on command.

If ads affect your reading experience, click here to remove ads on this page.