CHAPTER 7 #5

Marcus turned. His face was haggard, his eyes shot through with something that looked almost like fear.

"I didn't know about a chamber. I didn't know about some woman.

I just—" He ran a hand through his unkempt hair.

"When I got the drywall job, I had to pull the building's original blueprints from the city archives.

The bar's been remodeled so many times, the inspectors wanted to see the bones before anyone touched anything.

I was going through the plans, making sure the studs were still where they were supposed to be, and I found something weird. "

"Weird how?"

"A basement. A real basement. Not the panic room—that's only about fifteen feet down, barely more than a storm shelter.

But under that, there's a subbasement. Twenty more feet of foundation.

I thought it was a mistake at first, some old cistern that got filled in.

But the blueprints were clear. There's a room down there.

Bigger than the panic room. Bigger than the bar itself, maybe. "

Cole's grip on Marcus's shoulder tightened. "And you didn't think to tell me this?"

"Tell you what? That there's a mystery basement under your bar?

I thought you'd think I was crazy. Or drunk.

Or both." Marcus pulled away, pacing the narrow studio space.

"And I wasn't sure I was right. The blueprints are old—1909, maybe 1910, before the first renovation.

I figured the architects screwed something up. I figured it wasn't real."

"But you weren't sure," I said. "That's why you came back. Not just because of the gambling. Not just because Lisa left you. You came back because you wanted to see if there was really something down there."

Marcus stopped pacing. He looked at me—really looked at me—and there was something raw in his gaze. The same rawness I'd seen that first night in the bar, when he'd drunk Cole's experimental bourbon and confessed that he'd burned every bridge he'd ever crossed.

"Yeah," he said quietly. "I came back to find out if I was right."

"Were you?"

"I don't know. I never looked. I got here, and Cole offered me the drywall job, and I thought—maybe I should just do the work.

Maybe I should just keep my head down and not go poking around in things I don't understand.

" He swallowed. "But the whole time I've been hanging drywall, I've been thinking about it.

That big empty space under the bar. Those blueprints. The way the architect labeled it."

"How did he label it?" Cole asked.

Marcus's eyes met his brother's. "He didn't label it anything. It was just a blank space. No room name, no square footage, no structural notes. Just a rectangle on the page. Like somebody wanted to make sure no one forgot it was there—but they didn't want anyone to know what it was for."

The kettle whistled. Nobody moved to turn it off.

I looked down at the diary in my hands. The truth is down there, Mara.

Deeper than the chamber. Deeper than the panic room.

It's been waiting for someone brave enough to find it.

The woman with my face had known about this.

She'd known about the subbasement, the blueprints, the secret Marcus had been carrying since he arrived.

She'd known because she was me—some version of me, some fragment of memory that had split off in the accident and carried the knowledge I'd forgotten.

"Show us the blueprints," I said. "Take us down there."

Marcus's Adam's apple bobbed. "I don't even know how you'd access it. The plans show an entrance, but it's not anywhere in the current building. They must have sealed it up during one of the remodels."

"The chamber I found last night was sealed up too. Behind a brick wall in the back office. Cole never knew it was there, and he's been in this building for three years." I stepped toward Marcus, the diary held against my chest like an offering. "If I could find that, I can find this."

Cole was already moving toward the door. "Get dressed, Marcus. We're doing this now."

"Now? It's not even ten in the morning—"

"Now." Cole's voice left no room for argument. "Meet us at the bar in ten minutes. Bring the blueprints."

He was out the door before Marcus could protest, his footsteps echoing down the narrow stairwell. I lingered for a moment, watching Marcus scramble for his jeans, his movements jittery with nerves and anticipation.

"Marcus," I said.

He paused, one leg in his pants. "What?"

"The woman who told me about the subbasement. She said you know more than you realize. She said you've been carrying something—some piece of this puzzle—without even knowing it."

"I don't—" He shook his head. "I barely know my own middle name most days. I'm not carrying anything except debt and bad decisions."

"Maybe. Maybe not." I turned toward the door. "But she hasn't been wrong yet. Not about the chamber. Not about the diary. Not about me." I looked back at him, at his rumpled shirt and his bruised face and the weariness that hung on him like a second skin. "Maybe she's not wrong about you, either."

I left him standing in the middle of the studio, one hand gripping his jeans, his mouth half-open around a question he didn't know how to ask.

The diary was a warm weight in my arms, and the morning sun was bright on the brick facades, and somewhere beneath Cole's bar, deeper than stone and silence and the memory of a woman who'd shared my name a hundred years ago, something was waiting to be found.

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