16. June

JUNE

Glimpses of humanity. That’s all I get from Rafe. Moments where he seems like a normal person: smiling at Hattie, holding the door for me, offering to bring coffee in the morning.

But most of the time it’s like he’s dead inside.

There’s a coldness to him. He keeps himself physically distant, even though I can still feel the tension between us.

The sharpness of my desire for him is painful some nights when we’re lying in bed side by side, struggling to pretend like I’m alone and there isn’t some massive, beautiful monster at my back.

He’s hyper-focused on his job and his family.

There’s not a moment when he isn’t thinking about work, planning, texting, emailing, talking.

And his time is sacred. There’s a steady stream of communications, visitors, meetings, and decisions that he has to make.

I’m barely aware of a tenth of whatever he’s doing at any given hour.

There’s a reason he’s up before dawn every morning.

It’s the only time he has where he’s not being constantly bothered.

Which is why it’s so special when he chooses to sit in the kitchen with Hattie after his workouts every day instead of getting more quiet time to himself.

A week passes like that. I live with him in a strange limbo. Every time I start to think this is normal?—

I’m reminded that we’re in a prison.

“Mommy, what are you doing?”

“Hmm? Oh, nothing.” Two. Three. Four.

“You’re counting. Six. Twelve. Eighty-one!”

“Sweetie, please stop.”

“I can count higher than you!”

“It’s not a competition.” Five. Six. Is that another one? Seven. God, seven?!

“And now you look unhappy.”

I tug Hattie toward me and hug her tight, making her squeal and wriggle, before she escapes and returns to chalking up Rafe’s driveway while a guard watches nearby.

“Mommy’s totally fine,” I lie and take the opportunity to crane my neck, groaning when I find another camera.

That’s eight of them watching the front of the house.

Plus five on each side and at least six in the back, though there are probably more.

I know what Rafe would say if I asked him about them. He’d try to spin it like they’re for my protection. Without the cameras, how can he make sure I’m safe at all times?

But keeping me safe sounds a lot like keeping me locked up.

As more time passes, I feel myself starting to acclimate to my current circumstances. Because the truth is we’re comfortable here. It’s like living in a five-star hotel except I’m the only guest and the staff is obsessed with making me happy and meeting my daughter’s every need.

Gourmet meals every night. All the entertainment we could ask for. Pool, sauna, gym, even a big room filled with instruments, and another packed full of kid toys with soft play mats and sliding equipment.

It’d be heaven if it weren’t also hell.

So I’ve been taking inventory. It hasn’t been too hard. The building wasn’t designed to hide its defenses and I’ve been planning weddings and events for long enough that I’m good at taking stock and making lists.

Fortunately, the burner phone I use to call Marnie has a notes application that’s local and doesn’t upload to the cloud.

I tap my new findings quickly, doing my best to make it look natural, so the guards aren’t alerted.

Hattie continues to play. We draw a giant mural all down the driveway, which gives me a good excuse to get close to the wall again. I watch the guards, how they react, where they move. I pay attention to when they switch positions. There’s a schedule and I crack it on the second day of trying.

By the third, I’m reasonably sure I know how the overnight rotation works.

The house isn’t perfect. Yes, there are tons of cameras, but the grounds are old.

The trees get close to the wall in several places and the front gate was clearly original.

There’s a door beside it that the staff uses to come and go.

It’s locked, but not with a key; there’s an ancient iron bolt that slides across manually.

Which means I could easily open it from the inside.

On day four, I start to think I’ve got a shot. On day five, I convince Byron to let me help him unload the grocery shipment. Hattie’s enthusiasm sells it.

“There’s nothing fun about carrying food inside,” Byron says though he seems pleased for the company. “But if the young lady wants to haul carrots for poor, old Byron, who am I to complain?”

“Yuck, carrots!” Hattie wrinkles her nose. “Ponies only eat meat.”

“That doesn’t sound right…”

“The meat of their fallen enemies!”

“Hattie!” I smile sheepishly. “Sorry, she’s been watching too much TV lately.”

“No problem at all. The young lady has a beautiful imagination. Though maybe less pony-on-pony violence would be good?”

The grocery truck arrives around one in the afternoon.

The driver’s a stocky guy who seems to know Byron.

The two of them chat for a few minutes while I take stock of the interior.

It’s a typical delivery vehicle and the order comes in medium-sized crates.

Not big enough for me, but maybe for Hattie…

No, it won’t work. I help Byron unload while the driver wanders off to smoke. Hattie “helps” for a few minutes but gives up and turns to her chalk.

“How long have you worked for Rafe?” I ask as we plop overflowing cartons of leafy greens into the walk-in.

“Oh, years. He plucked me from a hellish job in Paris and offered to triple my salary if I became his personal chef.”

“How’s that been?”

He gives me a curious glance. “Wonderful. Best boss I’ve ever had.”

“You can be honest with me, you know.”

“Ah, well, perhaps?—“

“No, really.” My heart’s pattering in my chest. Byron can’t be a member of Rafe’s world, right? The chef seems like such a normal guy. Maybe he can be my way out. Maybe he’ll take pity on me?—

Byron’s face is steel as he wipes his hands on his apron. “I know what you are doing, and I am sorry to say it will not work.”

“I don’t know what you mean?”

“Rafe has been good to me. When he found me, I was a meth-addicted line cook with a sick mother and debt up to my eyeballs. He got my poor mother treatment, though she passed a year later, and he helped me get clean. If not for him, mother would’ve suffered more, and I’d still be in the gutter, or worse, cooking foie gras for rich Parisian assholes. ”

I wring my hands together, feeling like an idiot. “Was I being that obvious?”

“No, and yes, but mostly I would be doing the same if I were in your position.” He puts his hands on his hips. “Listen, June, I cannot speak to your situation. It is not my place and please don’t ask me to. If you do, I will side with Rafe.”

“He’s really been that good to you?”

“To me and many more like me. Everyone you see in this place owes him something. He’s been wildly generous, and not just with his money. I once saw him personally go bail one of the groundsmen out of prison.”

“No way, come on. He’s got lawyers for that surely?”

“Hand to God.” Byron covers his heart with his right palm. “Rafe might not seem it, but he’s a good man.”

I refuse to accept that. “He forced me to marry him.”

“I don’t want to hear it.”

“Please Byron, I don’t want to be here. Rafe threatened me. Yes, Hattie’s his daughter, but?—“

“Enough.” Byron glares at me, slamming a hand against the food rack.

It shudders and teeters. “I’m sorry, I really am, but I will not get involved.

I will cook. I will play with Hattie. I’ll be happy to talk about other things.

But this is not my place.” His expression softens.

“I won’t tell them about this conversation, but please, I’m begging you, don’t bring it up again.

I’ll finish bringing in the groceries. Why don’t you take a break? ”

I slump against the cold wall as Byron leaves me alone.

What a mess. I should’ve known better. Rafe’s not stupid enough to bring anyone into his personal house who isn’t entirely loyal. And clearly Rafe’s good about taking care of the people who work for him.

Does that make my husband a good man?

I don’t think so.

But then again, I’ve seen the way he treats Hattie… like she’s his princess… and I’ve heard nothing but glowing praise.

Can he be such a monster? And still be a hero to someone like Byron?

It doesn’t matter in the end. Whether Rafe’s got a heart of gold buried inside the chest of a brutal killer, it doesn’t change the fact that I have to get out of here.

Marnie’s doing better. Beth’s probably worried sick. And the longer I remain in this house letting myself get used to being comfortable, the more likely it is I’ll give up and accept my situation.

I don’t want that.

And I don’t want Hattie to fall in love with her father.

The more she’s around him, the stronger the bond gets and the harder it’ll be to leave if the chance arises.

Which means I have to go now.

I know where the cameras are. I know the guard schedule.

It’s either tonight…

Or I’m stuck here forever.

If ads affect your reading experience, click here to remove ads on this page.