THREE
I was running late for lunch with Ted Lassiter.
Even if I sprinted from my office to the restaurant, I’d still be late.
Five minutes at least. Maybe ten. Fuck. Ted Lassiter was not the sort of client you kept waiting.
I cursed the stiletto pumps I’d selected that morning, even as a little voice in my head assured me they had been the right choice.
Ted Lassiter was clearly the kind of man who felt that if he absolutely had to work with a woman lawyer, at least she should show him the courtesy of wearing a skirt and high heels.
I stepped out of the elevator and hurried across the marble lobby.
“Late for a meeting, RC,” I threw back over my shoulder as I headed toward the doors. “See you on the way back.”
I careened down Madison, hung a left at Fifty-first, and waited at the corner to cross Park Avenue.
I took in a long breath. This particular section of the city always had a calming effect on me, especially on a day like this, with the sky a vivid blue against the endless crawl of bright yellow cabs as they made their way up and down the canyon of hotels and investment banks.
A handful of tourists were stranded on the little concrete island that divides Park Avenue and I felt a little pang of sympathy.
I remembered how much it used to bother me, as a young graduate who’d just arrived in New York, to misjudge the timing of those Park Avenue traffic lights and get stranded on that little slab of concrete, as the taxicabs and town cars whizzed past. I’d felt exposed, an amateur.
Now I felt completely at home. I loved this feeling. Why not? I’d earned it.
The light changed, and the crowd surged across Park.
I looked at my watch again. If Lassiter was on time, he’d have been waiting for seven minutes now.
Shit. I quickened my pace. I half-walked, half-jogged past the soup kitchen line at St. Bart’s, past office workers eating their lunches outside, past carts and trucks dishing out kebabs, gyros, arepas, empanadas, dumplings, buns, jerk chicken, lobster rolls, Indian curries, and Southern barbecue.
Everything smelled delicious to me. I would have much preferred something out of one of those shiny metal carts to the Cobb salad I always ordered at these client lunches.
The restaurant was up ahead, just on the other side of Lex.
As I approached the corner, I noticed a jowly middle-aged man seated beside an array of framed watercolors and charcoal sketches.
The man’s head was turned about ninety degrees to follow the backside of a young female office worker as she crossed the street.
Ugh. There are few things more galling than having to walk directly toward a man you know for sure will be watching your ass as you walk by.
Especially when it’s so clearly not a man (a) who you particularly want checking out your ass, or (b) whose ass you would want to check out in return.
From time to time, depending on my mood, I found it amusing to surprise these guys—to turn around abruptly and actually catch them in the act.
Four times out of five, they blushed. Sometimes we’d even laugh, the man and me.
I took a breath, squared my shoulders, and clicked past the sidewalk artist. But the light had just changed, and as the wave of traffic nosed forward, I was forced to step back and wait by his corner.
“Ni how!” he called out to me.
I sighed.
“Konnichiwa!” he tried again, louder. “Hey, you! Konnichiwaaaaa!”
I rolled my eyes. This was going to be a long light.
I did not understand why more men could not grasp the subtle yet important distinction between overtures toward women that carried a snowball’s chance versus those that didn’t. For example: Nice hair, okay. Nice pair, no. Was it really so difficult to master?
As the light finally changed and I stepped off the curb, the man hissed at me in a loud stage whisper, “Fucking chink.”
I froze. There it was. That familiar churning, centered deep in the pit of my stomach. An acute flash of anger. Then rage.
The voice inside my head screamed, Hey, you really don’t have time for this!
even as I felt myself pivoting, hard, on my right stiletto heel.
I walked up to the man. I planted myself directly in front of him, forcing him to look at me.
I was standing close enough to one of his crappy little watercolors to drive my Jimmy Choo pump right through it.
It would be so easy. I’d played women’s soccer for three seasons at Yale.
The sidewalk artist blinked up in surprise, then pretended to be fascinated by a fixed point ten yards behind me.
“Excuse me,” I said, very loudly and very clearly. “What did you just say?”
I could see him clench and unclench his jaw muscles, could see the deep flush of red spreading out from beneath his collar.
I cocked my head to one side and waited. I fought back the urge to check my watch. Let him think I could stand here all day.
This asshole wasn’t going to win just because I was running late.
I was very well aware that I was wasting the time of a very important man, a Fortune 500 CEO who was not accustomed to being stood up.
Especially not by some girl lawyer whom he hadn’t even wanted running his deal in the first place.
I could already hear him sputtering this, red-faced and furious, to Adler.
Oh yes, I knew there would be hell to pay once I got to the restaurant, and certainly once I got back to the office.
But at the moment, I really didn’t care.
Because this jerk could have called me anything else.
He could have followed me across the street hollering you bitch into my ear, and I wouldn’t have flinched.
Wouldn’t even have remembered him by the time I was handing my wrap to the coat-check girl in the cool interior of the restaurant, smoothing my hands down over my skirt, and following the ma?tre d’ to Lassiter’s table, a sweet smile and some rehearsed apology on my lips.
But that word—the one the sidewalk artist had so carelessly hurled in my direction—that word, I could not let go. It didn’t matter who I kept waiting.
I edged closer to his dirty canvas chair and asked him again. “Something you wanted to say to me?” I crossed my arms over my chest and waited. “Well?”
He let out an ugly, dismissive snort. He glared at me, threw his hands up in the air, and shrugged. “Look, lady, I don’t know what the fuck you’re talking about. So just get out of my face.”
“I’m talking about when you called me a chink back there, you fuck. That’s what I’m fucking talking about.”
He paused for a second, then put his hairy hands on his knees and laughed.
“You’re crazy.” And then he stood up. He was much bigger than he’d looked sitting down.
I felt a hot rush of panic, but I stared him down until he turned his back on me and pretended to busy himself with a row of postcard-size prints.
For the first time I got a real look at what he was selling.
They were amateurish, cartoonishly bad pictures—portraits, I suppose—of dogs and women.
Sometimes alone, sometimes together in the same scene.
The dogs were all cast with human characteristics: dogs driving taxis, dogs selling newspapers, dogs drinking beer, dogs playing football.
Ironically, none playing poker. I almost laughed.
The women in his paintings were all nude and large-breasted. What a surprise. I glanced down at the biggest watercolor, the one closest to me. It showed a voluptuous blond woman, naked and spread-eagled on a motel bed. A dog was lying next to her, smoking a cigarette.
He saw me eyeing it. “Oh, you like that one, eh? Yeah, it’s one of my personal favorites.
Five hundred dollars,” he said, his lips twisted into a mocking smile.
He was enjoying himself. He looked me languidly up and down, his eyes lingering on my breasts.
“But for you—eh, I’ll let you have it for an even twenty,” he said with an exaggerated wink.
“I got a special discount today for the pretty Chinese girls.” He jerked his chin roughly at me. “You’re Chinese, right?”
I didn’t answer.
“Or is it Japanese? Or Korean?” He smirked and waved dismissively. “Ah, well, it doesn’t matter. You people all look the same.”
BAM!!!!
I’d plunged the pointy tip of my alligator pump all the way through the painting.
Reflexively, I’d bent my knee and drawn my foot all the way back, then snapped my leg sharply out and forward, making contact at the precise angle I’d perfected so many soccer practices ago.
I still had damn good aim. Pretty decent form, too.
Coach would have been proud. I’d landed my kick in the dead center of the canvas, leaving a large, ragged hole.
I’d taken out the cigarette-smoking dog completely, and half of the naked woman, too.
The man dropped to his knees in front of his painting, waving his arms and yelling. “What the fuck? What the fuck!”
I was dazedly inspecting my right shoe, which, impressively, wasn’t damaged—see, that’s why you pay for top quality—when the guy threw his ruined canvas onto the ground and came toward me. His face was red and shiny.
I tried to back away, but my legs refused to obey me, and I remained rooted to the spot.
The sidewalk artist took two lurching steps toward me.
“Easy, buddy,” I heard a gruff male voice say.
I whirled around to see Ted Lassiter standing directly behind me.
He pulled a money clip from the pocket of his perfectly draped gray suit.
The sidewalk artist suddenly looked unsure of what to do, and Lassiter took advantage of his momentary arrest to peel a single twenty from a thick wad of bills.
He crumpled it into the other man’s palm. “I believe this was your going rate.”
The sidewalk artist looked too bewildered to respond.
Lassiter turned to me with a broad grin. I grinned right back at him.
As we crossed Lexington Avenue, Lassiter clapped me on the shoulder, in exactly the same way he’d greeted Marty Adler at our first meeting.
“Come on, Slugger. We’re late.”