The Conditions of Will
I cant remember the last time I couldnt get a handle on myself and my emotions, but the lid is slipping. Something about the slipping lid feels like its Sam Pennys fault. Like he broke the seal and hes slowly opening me up. London-based Georgia Carter, professional lie detector and body-language savant, has long been e...
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We decide that, actually, the best thing for everyone—for Oliver, really—would be for him and Sam to head back to Okatie, and Tennyson and I will stay here and learn as much as we can. Oliver’s agreed not to say anything to anyone, not Mom, not Maryanne, not Vi (though I suspect she already knows something), at least not until Tennyson and I get back and we all have more information to go off.
Oliver’s taking it all how I thought he would—which is poorly, to say the least.
If it’s not a snide comment, it’s a death stare, and if it’s not a death stare, it’s a blank, lost stare out the window, and I think that’s the worst of them all.
I don’t want Sam to go with my brother, even though I do. I have this strange anxiety hanging over me like an overgrown tree branch that’s casting unwanted shade in my otherwise sunny garden—what if Oliver says something to Sam that makes him change his mind about me? I don’t think Sam’s that kind of person, but Addict-Oliver is. Addict-Oliver is spiteful and vindictive, and I am the target. Justifiably so, I suppose.
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- 2 07:53
- 3 19:20
- 4 19:51
- 5 12:30
- 6 12:59
- 7 09:07
- 8 26:42
- 9 11:26
- 10 08:02
- 11 16:58
- 12 15:52
- 13 18:41
- 14 07:06
- 15 05:49
- 16 17:02
- 17 09:21
- 18 04:51
- 19 14:44
- 20 07:04
- 21 14:21
- 22 04:19
- 23 08:13
- 24 10:48
- 25 17:55
- 26 07:39
- 27 10:11
- 28 11:21
- 29 31:25
- 30 05:55
- 31 11:21
- 32 10:21
- 33 10:14
- 34 11:50
- 35 11:50
- 36 19:46
- 37 14:28
- 38 16:31
- 39 10:57
- 40 04:08
- 41 19:02
- 42 08:17
- 43 10:12
- 44 10:33
- 45 13:34
- 46 07:22
- 47 09:48
- 48 08:40
- 49 27:07
- 50 09:19
- 51 12:08
- 52 10:05
- 53 08:04
- 54 09:35
- 55 24:20
- 56 05:53
- 57 13:55
- 58 08:51
- 59 28:39
- 60 15:48
- 61 22:08
- 62 08:49
- Epilogue 06:54